Mahler Under the Stars

Remember drive-in movies? Like that ...

A couple of months back I reported on the debut concert of the New World Symphony in their new home on South Beach. Last weekend we got it into our heads to catch the final performance of the season, Mahler's Sixth Symphony, which was given outdoors as a Wallcast.

From Mahler Under the Stars

The whole idea of the Wallcast is a signature feature of the Frank Ghery-designed facility. What it does is to turn the concert hall inside out, transforming what used to be a closed performance for a select audience into an open one for the public at large.

Of course there is a long history of public concerts going back long before bandshells and bandstands in parks, and certainly before outdoor rock concerts. Mozart, for example, composed one of his finest wind serenades for such an event. It was so popular with both performers and the public that the musicians played it over and over again -- even late at night in front of the composer's balcony as a way of saying thank you.

But projecting the event from inside the building onto its exterior as it happens is a new wrinkle. So is the construction of a public park from which to enjoy the concert, including a permanently installed high quality sound system. We decided this was something we had to see -- and hear.

Apparently close to a thousand other people had the same idea. By the time we arrived, about 15 minutes before concert time, the grass between the tubular stereo speaker systems was packed with people, many with blankets and lawn chairs. (My advice -- arrive well in advance to stake your claim.) We found some space where the Wall was only partially blocked by a palm tree and settled in.

A bit after 8:00 the 5-storey screen bloomed into imagery with the colors of the sunset sky still fading behind it. Applause greeted the gigantic spectacled face of Michael Tilson Thomas as he launched into a brief introduction to Mahler's opus, including his own playing of a few bars on the piano. These commentaries before each of the four movements were brief but enlightening, and served to further open up the music to a wider audience. (They also demonstrated that there was at least a short delay between interior live performance and the external video, because indoors the audience did not see or hear those introductions.)

And what can you say about Mahler? (Actually I have so much to say about him that it will have to keep for another time.) Hearing the spacious majesty of this century-old music as it spilled out beneath the stars seemed somehow perfectly appropriate. The Sixth is all about Fate, from the ominous opening march to the fall of the famous hammer blows in the finale -- yes, that's a hammer, a big one, landing on a big rectangle to create a concussion unlike anything else in the orchestra. WHAM!

So, a good time was had by all, including a pair of toddlers trying to dance as if it were a rock festival, and one of the most well-mannered dogs I've ever seen -- and in spite of a smattering of those whose cell phones or private conversations were considered too important to postpone. But hey, that's the great American outdoors. I only hope that they absorbed something of the music, if only unconsciously.

Wending our way home we marvelled at the human ability to perform as well as to absorb such a complex tapestry, but even more the ability to conceive of it in the first place and to be able to write it all down for the ages. Mahler's music is fraught with meaning and portent. Composing this in 1903-4, he seems to sense the approaching doomsday of the two World Wars, the Holocaust, and the threat of nuclear Armageddon that were only decades away.

Hearing it now, we can only hope there are not more such events heading our way, perhaps only a matter of years in our own future. Mahler originally put three hammer blows into this work, but later took one of them out as if he couldn't bear it. Maybe in this he was being merciful, or maybe it was an expression of hope. I'd like to think so. Maybe that last strike of the hammer is the one that hasn't happened ... yet.

[Mahler specified the sound of the Hammer -- "brief and mighty, but dull in resonance and with a non-metallic character (like the fall of an axe)" -- but not how to produce it. Apparently lots of things have been tried, including just a large bass drum, but the prevalent solution seems to be a big wooden sledge hammer hitting a resonant wooden box. The one the New World used was, shall we say, very effective.]

Here's another review from the Miami Herald.

A Man in Space

So what were YOU doing that year?

In April of 1961 I had just turned 14 and was entering a phase of historical and political global consciousness. I was caught up in the ideological struggle of the Cold War, and I was also a science fiction nerd who avidly followed developments in rocketry and space exploration.

Every day as soon as I got home from school I spread out on the floor the morning Herald that had been carefully re-folded by my grandmother, and read through all the stories that I found interesting, which were a lot of them. I prided myself on knowing the names of the Presidents, Premiers, and Prime Ministers of foreign countries, as well as being aware of the many fronts where the forces of Communism and Capitalism were facing off.

But on April 12th I didn't have to go any further than the front page, where the smiling image of Yuri Gagarin announced that those durned Russians had beat us again. Sputnik had been bad enough. Only four years earlier we'd all been amazed when the first demonstation of orbital flight had been acheived without warning, like a premonition of the kind of nuclear sneak attack that we lived in fear of.

After excitedly following the ironically named American effort, "Vanguard," I had a vested interest in its success. I felt personally shamed when "our" rocket was not only beaten to the punch but then blew itself up on the launch pad -- not once, but twice. Before Dr. Von Braun and his Army missile team from Alabama managed to put something up there (Explorer I), the Russians had launched a second satellite containing the first living organism to travel in space -- Laika, the dog -- in a 13-foot-long capsule that dwarfed anything the US would be capable of launching for years to come.

In the four years that followed, the Mercury program was put into high gear. America had astronauts in training, a batch of test pilots with "the right stuff" to fly the US into space. In 1961 the first sub-orbital test flights were to be made using the same Redstone rocket that had put up Explorer I. Meanwhile the Atlas ICBM was being tested as an orbital booster -- with a disconcerting record of its own explosive failures. And then ...

Gagarin. It was Sputnik all over again. Before Alan Sheppard could take his 15-minute peek into space, Gagarin's one-orbit flight was followed by Titov's of 17 orbits -- a full day in which he travelled over most of the entire planet.

It all sounds so quaint now, and hard to understand why we took it so seriously. What we were witnessing was the first baby steps to be taken on our inevitable journey as a species into a wider environment. Now, along with our Russian (no longer Soviet) friends, we can celebrate the daring and achievement of all those pioneers, not just the ones of our own nationality.

Oddly enough, if I could pluck my 14-year-old self out of that past and whisk him into my present, it would not be the state of space exploration that would amaze him. Given the rapid advancement from Sputnik to Cosmonaut, he would probably expect us to have not only a space station but permanent bases on the moon and maybe even Mars by now. He would be surprised at the way we lost interest in the moon after visiting it a few times, and how we have backed away from larger challenges. He would be suitably impressed by the space shuttle, but puzzled to learn how old the design is, and that it has yet to be replaced by something newer and sleeker.

He would be impressed too at the advances that have been made with computers, lasers, and astronomy. Video conferencing, cell phones, and 3D televisions would be science fiction dreams come true. Electric cars -- OK, but no flying ones yet? What would absolutely knock him out, though, is the demise of the Soviet Union.

That thoughtful and tentative youth -- the same one who was going to have to deal one way or another with the military draft and the Vietnam war only six years in his future -- expected that the USSR would be there throughout his lifetime, and that it would continue to threaten nuclear Armageddon perhaps for centuries to come. He would have thought that if a lasting peace agreement were ever to be reached, it would be an agreement with the Soviet government.

All of which goes to show that it is usually easier to predict technological progress than social revolution. Witness what happened in the American colonies, or what's going on right now throughout the Middle East. Sure, we're still moving into space. But what will really happen to us is bound to be far more interesting ... and unexpected.

Birthday Wish

"Will you still need me, will you still feed me ...?"



According to this card in the year of my birth
the transistor was invented, making possible
a radio with no vaccuum tubes. Chuck Yeager flew
faster than sound in a rocket propelled airplane,
and the Dumont Television Network inauguerated
broadcast news from Washington, D.C.
If you had gone to the ball park all the players
except Jackie Robinson would have been white.

Before this year you could not clean your sink
with Ajax or mix a batch of orange juice
from a tiny frozen can because those things
did not yet exist. The Department of War became
the Department of Defense, anticipating
the Newspeak of George Orwell who had not yet
published 1984. Princess Elizabeth got married.

The Atomic Energy Commission was formed
in an attempt to keep the lid on Pandora's Box,
the Marshall Plan began to rebuild Europe
while Radio Free Europe broadcasted to the East
and President Truman asked Congress for funds
to fight what he called "the Cold War."

So it was all set in stone, the story
of my life, beginning with the boom
of babies they could never build
enough schools for, continuing through
the years of Conelrad and bomb tests,
clouds of strontium-90 settling over
Mid-West cow pastures and seeping
into the wholesomeness of our milk,
of air raid drills, hiding under our desks,
the Sunday afternoon sirens, the missle gap,
the arms race, the space race, the moon race,
The Korean War, the Berlin wall, Cuba,
and Vietnam, Vietnam, Vietnam --
the entire agony of Communist hysteria
that mutated into Peace and Love
through a purple haze of electric
guitar music, then collapsed into a stupor
of sated Capitalist moneygrubbing,
Internet boom and bust, as we squandered
what was supposed to be the "peace dividend"
awarded to us as the righteous victors
by mortgaging our homes and building
an army so intent on finding a new enemy
that it did at last exactly that.

Now here I am, supposedly old enough to
know better, studying the accumulation
of my retirement funds and estimating when
the final payment will be made on my house,
wondering, if that day ever comes, how much
longer I will have to live. All around me
the world spins in confusion, lurching
from one disaster to the next like a drunk
wondering when he'll finally hit his bottom --
from which point there is only UP to go,
from where Salvation can be found,
and where life, as with the coming
of grandchildren, may reveal, finally,
its rewards.